Pink Panther


THIS POST IS BROUGHT TO YOU BY SHEIN AND KAT MACONIE BUT ALL OPINIONS ARE MY OWN.

NYC fashion blogger

The Pink Panther first appeared on film in the 1963 Blake Edwards movie, The Pink Panther, starring Peter Sellers as the clumsy French detective, Inspector Clouseau. In the film, the term “Pink Panther” referred to a large diamond with a flaw at its center resembling a pink pouncing panther. This was the inspiration for the character of the same name. The Pink Panther starred in the animated opening and closing for the initial movie, set against jazzy music by Henry Mancini. The character is almost completely silent in the movie, preferring to rely on slinky pantomime-like moves. Audiences liked him so much that his animators, DePatie-Freleng, were asked to create a series of animated short films. In 1980, United Artists Television put together a new half-hour show using the theatrical shorts and new cartoons and syndicated it to TV stations. It was during the 80s when I discovered and fell in love with the cartoon character. So in honor of the beloved panther, I created a fun female version of the pink character. Video included! It’s basically me to a tee: Clumsy, yet catlike - mysterious yet playful. Take a look! It’s all going down on MaQ + Suz today, continue reading to see complete shoot and reel.

Kat Maconie x Pink Panther

The ultimate pink Kicker Heel with an embellished 80s illustration of Pink Panther, and a ruffle at the back for extra romance, these heels literally made my heart skip a beat when I first encountered them. Kat Maconie’s fresh aesthetic and strong, women-centered fashion ethos make this shoe brand a very popular name in the luxury footwear world. I really wanted to incorporate them into a kind of Ms. Inspector Clouseau, which of course, would naturally be a mostly-all pink outfit. :)

Would you believe me if I told you the pink blouse and overall corduroy dress was a total of $23?! Both pieces are from SHEIN, a really great affordable outlet to stay with all the trends. I do enjoy mixing high and low, one of my favorite ways to put a look together. To not be too washed up in only pink, there’s a slight black trim on the blouse that complements with the ever so, Parisian beret. I kept it retro cool with a pair of large round sunnies and some loosely-tied pigtails. It’s definitely not an everyday outfit for me, but I do think it’s a pretty cute tribute to one of my favorite panthers ever!

Amongst other accessories is my rock and roll pink bag. Unfortunately, it’s no longer in stock, and I can’t find much that really looks as similar as this one, so I opted out in listing similar items for this bag today. Sorry! Everything else has direct links, but since I’m on the subject, what do you prefer: Direct shopping links OR similar items? Would love to hear your thoughts on this! Lastly, we made a quick fun video of this look down below. It’s on my YouTube channel, so feel free to check it out and subscribe!

Stay tuned for this week’s upcoming blog posts! I’ll be sharing my April Beauty favorites along with a very 70s retro look on Wednesday & Friday, can’t wait to show you guys! Don’t forget to check out the Pink Panther video on YouTube before you go, and feel free to drop your comments down in the message section below. Hope you have a great Monday and a wonderful rest of the week, everyone!

Pink Panther Lady: Clumsy, yet catlike - mysterious yet playful. It's me and one of my favorite childhood cartoon characters. Styled by moi.

LOVE & XX’S,

 
 

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My 10 Favorite Elton John Songs


THIS POST IS BROUGHT TO YOU BY SNIDEL & BEATRICE B ITALIA, BUT ALL OPINIONS ARE MY OWN.

Last month as a very late Valentine’s Day present (since I was away in London for Fashion Week), my husband fulfilled one of my lifelong dreams: to see Elton John live in concert playing some of my all-time favorite songs. Needless to say, he played everyone of my favorites except for one, but something tells me that I’ll be able to gone on without it like that ;) It really was everything and more, nothing really compares to his magnetism on stage. Why do I love this artist so much? Well, what’s central to the brilliance of Elton John’s art are the contradictions within the man. (We also almost have the same birthday, mine’s the 24th of March and his the day after.) He can kill you with the beauty of a tender ballad, then switch over with an intense blast of filthy rock and roll. He can dedicate decades of work to defeating AIDS, then engage in a public catfights with other celebrities through the gossip columns. So without further ado, here are (in no particular order) my top 10 favorite Elton John songs!

1. THE BITCH IS BACK!

One of Elton John's best hard rock cuts, this song was banned on several radio stations, in the United States and elsewhere, due to the use of the word "bitch". “The Bitch Is Back” is a rousing rocker from John that doesn’t pull any punches with its feisty lyrics. The high-energy horns, female backup vocals and the clanging guitars are some of the best parts of the song. “The Bitch Is Back” (also from Caribou) was banned by some U.S. radio stations, but that didn’t stop the song from becoming a No. 4 hit on the Billboard Hot 100.

2. CROCODILE ROCK

Sometimes it’s an artist’s slightest work that maintains the greatest staying power. Which is not to say "Crocodile Rock" isn’t a terrific tune; just that its aspirations are small. It’s a song from the '70s that’s a pastiche and homage to all the '50s rock, pop, and doo wop that Elton John and his peers grew up on. From that perspective, it’s a rung or two above Sha Na Na. Here the devil’s in the details, like the whirligig organ that floats above Elton’s central piano riff, or the ascending guitar lines that underpin the chorus. Roger Ebert said that great parody becomes that which it parodies, which is a high-falutin’ way of saying that on 'Crocodile Rock,' Elton didn’t just imitate his idols; he equaled them.

3. I’M STILL STANDING

Although it’s not quite fair, the eighties seem to be regarded as a “lost decade” for Elton John, at least when it comes to critical appreciation. Outside of his 1989 Sleeping With The Past album (the first produced after his recovery from drug addiction) and 1983’s Too Low For Zero, the decade yielded plenty of hits for Elton, but few of them memorable. (The less said about "Wrap Her Up," his campy duet with George Michael, the better.) Too Low, yielded our No. 9 Elton John song selection and this propulsive rocker, a staple of Elton’s live shows and another iconic song that has come to define the singer’s public persona. Weaving effortlessly between genres, "I’m Still Standing" is somehow both a full-out rocker and completely danceable, the wailing electric guitar and searing synth meshing with a bouncing bass line that’s almost disco-esque.

4. TINY DANCER

It may have been immortalized by writer/director Cameron Crowe in Almost Famous, but for Elton John fans, "Tiny Dancer" has always been an undisputed classic. It starts with that simple, beautiful opening piano riff, like the tinkling tune of a music box, and builds effortlessly into a full, warm sound – a chorus of voices, a relaxed acoustic guitar, Elton’s piano weaving its way around every note. Bernie Taupin wrote the lyrics for his girlfriend at the time, and surely her face is lost to the mists of history; it’s the unforgettable images in his words, her dancing in the sand and those Jesus freaks "handing tickets out for God" that will endure.

5. GOODBYE, YELLOW BRICK ROAD

You could write an entire separate piece ranking Elton John’s '70s albums, but one looms large above the others, if only by size and the weight of its many iconic songs: "Goodbye Yellow Brick Road." If Elton John and Bernie Taupin have created a magnum opus, this may very well be it. While Elton and his band hopscotch through the entire history of American popular music, Bernie crafts evocative words that look ever backward with nostalgia, wit, and occasional anger. This title cut captures those themes perfectly with the tale of a green young farmboy who finds himself trapped in the orbit of a world weary, powerful figure. There’s something almost Spector-esque about the sound Elton and his band achieve on this track, adding an extra halo of wistful yearning to the song.

6. YOUR SONG

“Your Song” (from John’s 1970 self-titled second album) was his first breakthrough hit around the world, reaching No. 8 on the Billboard Hot 100 chart. “Your Song” is a simple, beautiful ballad that can apply to all kinds of love. It’s no wonder that it’s still one of the most-covered Elton John songs of all-time. And yes, I get teary-eyed every time I listen to it! A true gem.

7. ROCKETMAN

Harry Nilsson did it with "Spaceman," David Bowie did it with "Space Oddity," and Elton John did it with "Rocket Man." Each song as about the new-at-the-time phenomenon of men actually climbing aboard giant machines and soaring upward beyond the veil. But while the other songs zero in on the strangeness of space travel, only Elton John and Bernie Taupin manage to capture the underlying sadness of drifting alone above Earth, so far from family and friends, looking back at a massive turquoise orb that just grows smaller as you float away. It’s that emotional undercurrent, that human element, that Elton and Bernie so often discover, and that makes their greatest songs so great.

8. DON’T LET THE SUN GO DOWN ON ME

It's mushy and a little maudlin -- but it's great, too, a dynamic gem that unfolds and builds to epic, horn-drenched proportions over its five and a half minutes. And it's hard to beat a backing vocal choir that includes Beach Boys Carl Wilson and Bruce Johnston, Toni Tennille and Billy Hinsche.

9. I GUESS THAT’S WHY THEY CALL IT THE BLUES

Featuring guest harmonica from Stevie Wonder, "I Guess That’s Why They Call It the Blues" finds Elton John delivering a warm slice of '80s mid-tempo pop, aided and abetted by his own down and dirty piano skills. The man’s one of music’s greatest balladeers, but this is something different; this may be the closest he’s ever come to the straightforward soul music that’s one of his many influences.

10. I DON’T WANNA GO ON WITH YOU LIKE THAT

The lead single from 1988's Reg Strikes Back is taut, spare and propulsive, with some of the most inspired piano playing we'd heard from John in quite some time. The song describes someone ending a relationship due to not feeling exclusive and important to their partner. The song was regularly played by John in concert during the 1990s, before he retired it in 2000… which is why this is the only song I did not hear play at his concert! A great break-up song, all about remaining strong!

LOVE & XX’S,

 
 

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