Modern 50's Housewife

WEARING: CHICWISH DENIM PENCIL SKIRT | FOREVER 21 BLOUSE | NA-KD LEATHER JACKET | 
ODETTE & ODILE WHITE SUNNIES | NINE WEST LOAFERS | STEVE MADDEN TIGHTS | 
PAUL'S BOUTIQUE LONDON MIKA SHOULDER BAG | UO BLACK BANDANA 

THIS POST IS SPONSORED BY CHICWISH & PAUL'S BOUTIQUE LONDON

New York City Street Style

Hey, everyone! I'm sorry I've been MIA on the blog this week. Sometimes life takes a toll and you just gotta deal with it. After a week from hell with both work and personal struggles, I have come to the notion that when it rains, it freaking pours. I decided to not over-do it and to take it a bit more easy this week, hence only posting twice on MaQ + Suz. Luckily it's been a rather slower week and I didn't have as many deadlines as I normally do, so I guess there's the silver lining in that. In today's post, I'm digging into more about the recent struggles I face as someone who is in the creative field, and why I'm a bit concerned about where it is all headed. It's like this outfit - everyone being modernized, 'updated', renovated, etc; and yet in terms of politics, sociological aspects and more, we're still living back in the damn 50's. Even in this digital world. Continue reading for more on what I'm talking about along with where to shop this 'Modern 50's Housewife' look. 

A couple of weeks ago I filmed a campaign with Innisfree, the #1 beauty brand in Korea and now available in the U.S., talking about beauty care, our environment, this upcoming earth day and just a couple things #IGiveASheet about - click here to watch more. Reasons I bring this up, (aside from shameless promoting) is because I am grateful for all the opportunities that I've been given. I have never imagined I'd even get this far in my career. I work hard, am professional, and just want what everyone else wants: To be happy and to be able to do what I love, which is to create. But the constant changes in the digital world is making my head spin on top of other things going on in my life. I'm tired of hearing about how everything is changing for the better and that the new economy is the only way for this better change. I have friends moving along in life having babies, job promotions, glorious vacations, and I'm still slaving away day-and-night just to catch one little break. I'm willing to sacrifice life choices over my love for what I do. I don't need the money or fame - it's about the acknowledgment of someone's time and effort in their work along with their character. The reason I create is to inspire you - to make you think, feel, and change your mind and heart about many things. 

Whenever I get into a creative rut, I always go back to the same question. "Why did you start in the first place?" The answer, which to my dismay from several other bloggers within the community answering as such: Money, power, and/or fame has never been mine. Would it be nice to live more comfortably and not stress out every day about finances and such? Absolutely. But it makes things more difficult when more and more brands/companies aren't willing to fairly compensate you for your time, energy and work. Even global brands (which yes, they have the budget) will come back and say they don't and the only compensation they can offer is in exchange for products. (The new exchange in commerce.) I even had one collab offer this week where the brand wanted me to travel and pay out of my own pocket (on top of the collab being non-paid.) We're talking over 3 hours of commuting, not a subway ride away. I graciously turned it down. Now don't get me wrong. I'm thankful for every opportunity I receive, but when it comes down to real-life... it certainly won't pay all the bills. I can only sell so much product and for a fraction of the original price. Or a brand will want a test-run to 'see how things go' before moving forward. This is understandable. You want to know what you're getting yourself into and if you're going to be a match. But it should be about working towards something and not instantly getting what you want and then bowing out. 

Should brands/companies be paying for numbers of followers, likes, etc; or for the quality of the work? I'd say both, but I'm more of a believer in quality over quantity. For example, which is often the case, every concept creatively is refurbished, recycled, yadda yadda yadda, so nothing is ever really fresh and new anymore. (In the grand scheme of things.) A company may feel that because of this, it's more important to gravitate towards the numbers because that's where the consumers are at. Wrong. A micro-blogger can reach specific demographics other big names cannot. But... if it's content they've seen before (and they have half a brain and actually read a book once or twice in their life) you won't get a bite and they'll just keep scrolling. NOW, I'm certainly not saying I've never been inspired by past photo shoots, art and such, but I have never tried to replicate anyone's work. To me, it's downright insulting and really shows your lack of creativity. Be original. Think outside the box. We should be trying to break through barriers, not stay confined in them. And then when you fall into a creative funk, knowing that you're not satisfied with the quality of your work (yes, I'm extremely hard on myself and therefore nothing is ever good enough), it makes the struggle all the more challenging. Some days I think all of this is rubbish and then the next I think I'm actually doing something meaningful in the content that I work so tirelessly for. 

I took some time to think about what I wanted to write today because I was self-conscious at first. I thought, what if a brand or company reads this and then thinks of me differently? I need to stop caring about what other people think because quite frankly they don't! And second, why would I want to work with someone who after reading this post, and because of it judging me in a bad light? Same goes for colleagues, friends, and then some. I don't want to be working with anyone like that, let alone be associated with them. We all deserve to be collaborating with those that not only appreciate your efforts but also wants to build something together because you both believe in something, whether it's a concept or personal growth or both, it should be with love and positivity and support. Not ways of jumping through hoops in hopes of climbing up that ladder a bit faster than others. Why can't we remember that it's not the destination in life, but the journey? Name a legend or icon that became instantly famous and remained that way. NONE. They worked for years before a big break. And the blogging world is incredibly tough. It's competitive, cut-throat and downright stressful with all the job 'descriptions' of what we do that comes with. I write, produce, edit, shoot, film, meet and greet, brand, travel, forget to eat, sleep, and take care of myself, all the while trying to maintain some sort of balance in my personal life as well. It's easy to say you want to grow authentically, but with the surmounting pressures in the industry, the difficulty to act is not the same. 

New York City Fashion Street Style 

I'd rather authentically grow at a slower pace instead of sneakily participating in what are now, 'hidden giveaways', where bloggers are doing these giveaways under the radar where no one can see them (in secret groups and such) where they used to blatantly put loop giveaways into their feeds to instantly gain more followers because of the contest of winning free items (you know, a MacBook, an iPhone, etc; my eyes are rolling and are in pain at the same time just typing this) -what a crock of SH*T. (Don't even get me started on buying followers, likes and comments {and more}) That's why you see 'influencers' going from 20k to 40-50k overnight. It has nothing to do with the content they produce. It's all about the free goodies they're presenting to the world. And what's sadder? They lose nearly all of them once the giveaway is over. Oh, did I mention that in order to participate in the giveaway you have to BUY your way in? And I'm talking two to five hundred dollars, all for a few thousand instant followers. See my point here? And this is only one of the many scary examples as to why I'm frustrated with the business I'm in. Don't get me wrong, I'm all for giving back and have conducted some giveaways here and there, but then I remember what my main goal is for MaQ + Suz and it's certainly not giving away free crap just to gain a bigger audience. Also... if you call yourself an 'influencer', you're probably not an influencer at all. #sorrynotsorry  

My message is simple. I only work with those that believe and appreciate my work. Otherwise, I walk. Life's too short and if it's a gig that you think will compromise with your brand, just don't do it. I consider my blog my first-born child (aside from the furbaby MaQ), so whatever I feed/nourish it, that'll be the outcome as well. So take care of your baby. Take care of it every with all your might. And hold value into what you present to the world, whether it's yourself or your work, what you project will also be what the universe throws back to you. I hope you found some insight from this post and can relate to my struggles. We all go through it and even though it is my job to make everything look aesthetically beautiful, life is not this way and I believe interjecting real thoughts & reflections keeps my work honest and true. Leave your thoughts on this post down in the comment section below! I always love hearing from you guys! Thanks for the extra love lately, too. You're all too kind! Have a wonderful weekend. Catch up again soon.

LOVE & XX'S,

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There's a LIE in Believe

WEARING: LIE COLLECTION TRENCH | LIE COLLECTION RUFFLE SLEEVE TOP | 
JOE'S JEANS THE CHARLIE | GUCCI BELT | LOUIS VUITTON BAG | NINE WEST PUMPS

THIS POST IS SPONSORED BY SAKS OFF 5TH & LIE COLLECTION.

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In case you missed last week's, 'Motorsport Trend' blog post, where I talked of up and coming Korean fashion designer, Chung Chung Lee of LIE Collection, and featured an amazing hybrid pair of navy blue track/tuxedo pants in the look, today's feature also includes some amazing pieces from his latest collection. Continue reading to see the coolest camel trench coat of the season along with a great pair of frayed hem jeans and a ruffle sleeve white top that combines both athleisure and chicness together. I'd like to think of it as an updated version of a casual classic look, with what will be trending this spring season. 

Many classic camel trenches have a horn buckle and button fastenings, a trans-seasonal appeal offering any wardrobe great versatility. Pair it with jeans and a white top for a casual chic look. But this LIE Collection trench coat is anything but traditional. It's ruched/buttoned sleeves are beautifully detailed with a large tag around the waist belt with the writing, 'LIE' on one side, and 'BELIEVE' on the other. "I think nobody is perfect, but that is the real beauty,” Lee said. β€œWe don’t have to think about stand-out beauty or a beauty contest. I want to talk about real, natural beauty.” In that real beauty cannot be a lie. It's not a lie if you believe in it, no matter if it's beauty or, overall, yourself. 

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The white ruffled sleeve top is also by LIE Collection. Its slit detail button-down blouse with ruffles and drawstrings definitely amp up the typical white bouse. Its athleisure details are what's currently trending. The cutouts on the arms of the blouse are great for layering, especially right now when the weather won't quite exactly shift to spring. It can also be worn with skirts and dresses, but I kept it with jeans as I'm really a jeans gal. It's rare that I wear more feminine pieces. The jeans are from Joe's Jeans. I got them at Saks Off Fifth and I got them for just a little over $100! They're having a denim saleβ€ͺ till 3/27, you can get 40% off all denim in stores and online so you can stock up on cute new jeans for the spring season!

These Nine West white pumps were sold out for a hot minute, but they're now back in stock. Click here for shopping link or shop at the beginning or end of this blog post. What's your take on this updated classic look? Do you like what you're seeing trending? And what are you most looking forward to wearing this season? Leave your comments down below, I don't always have time to comment back but I do read each and every message from you guys! Until next time, let us pray for less snow and a little more spring. ;)

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Spring Blue Pantsuit

WEARING: LUCIE BROCHARD.vΓ΅ SATIN-SILK POWER SUIT | LUCIE BROCHARD.vΓ΅ SATIN-SILK TUNIC SHIRT | 
NAT & NIN TEREZA | NINE WEST JANILLY LOAFERS 

THIS POST IS BROUGHT TO YOU BY KREATEURS & NINE WEST.

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Happy Monday! How is everyone doing today? This weekend I finally had the chance to take a stroll through the streets of SoHo and discover Kreateurs. Though the showroom is technically based in Paris, they were here in New York for 10 days for their popup showcasing emerging French designers. Ranging from timeless styles, high-quality, ethical processes and authenticity, Kreateurs is a tangible alternative to the overwhelming power of leading brands; by creating a space for independent designers, they platform a unique expertise and vision. 

Lucie Brochard.vΓ΅ matured her creativity throughout her experiences in Europe, America, and Asia. Across her many travels and stop-overs in airports, Lucie identified the need of confident women to wear outstanding clothes without compromising on their comfort. Always ready for unplanned stop-overs around the world, this collection caters to the modern, creative, elegant spontaneous traveling women. The Lucie Brochard.vΓ΅ collection reveals a distinguished feminine silhouette filled with character, originality and a sense of escape. Yet, the wardrobe is subtly inspired by menswear tailoring in order to bring exclusive comfort and practicality.

Such as with this blue pantsuit: The color, stitching, lining; every single detail is with careful attention, right down to the excellence in tailoring, I was immediately drawn to the collection. I styled the pantsuit with contrasting bright, spring colors such as yellow and orange to give the whole look an extra pop. The colorful top is actually a tunic shirt that I loosely tucked into the pants to give it a more carefree feel. To color balance with the variety of colors, I chose more subtle feminine tones, like this blossom // blush pink leather bag from Nat & Nin, and a pair of crisp, white loafers from Nine West. I think I'm ready to kick spring's butt in this look! Feeling inspired, empowered and ready to take on this week like a champ! For more info, please visit kreateurs.com

LOVE & XX'S, 

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Transitioning into Spring

WEARING: MAKE ME CHIC FLORAL MAXI DRESS | ALEXIA ADMOR TUXEDO SPLIT SLEEVE DRESS |
 THACKER NYC BOYFRIEND SHIRT NINE WEST HENRA PUMPS | ZAFUL TASSEL EARRINGS | 
VENDULA LONDON BOOKS SHAPED BAG | ASOS WHITE FISHNET SOCKS

THIS POST IS BROUGHT TO YOU BY MAKE ME CHIC, ALEXIA ADMOR & NINE WEST

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If you know my style you know how much I'm into the layering game. It's a form of art that may look effortlessly chic to do, but alas, it's not as easy as it seems. And so in today's post, with the dreary thundersnow (yes it was literally snowing and thundering simultaneously this morning in New York) and my longing for the upcoming season, I'm sharing a fairly simple but elegant look that is definitely spring-wear, but can be simply transitioned and mixed in with fall/winter pieces too! This look has a touch of librarian morphed with simple romanticism in a modern-day vintage-y feel. Continue reading to learn more about where these pieces are from and also how I came to style this outfit. 

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The Alexia & Admor navy blue double-breasted tuxedo split sleeve dress is quite versatile. You can wear it alone as a dress all buttoned up which I chose not to do in this look, which I styled it as a blazer/jacket. I think the split sleeves gives the piece an edgy modern quality to it and the rich blue colors is super trending right now. So much so I think it's a great transitional piece to mix in with spring clothes. For example, like this floral maxi dress. 

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The Make Me Chic rose-print maxi dress is short sleeved, but given the stubborn weather, I opted for a little more layering with my favorite white boyfriend shirt from Thacker NYC. I wear it often, both in layered looks or just bumming around the house. It's that comfy and chic looking at the same time! The floral dress has great movement and the material is fair. It can be styled in other ways such as with a leather jacket, a thin duster/trench, and even with jeans. The Vendula London Books-Shaped bag is unfortunately sold out, but please check out their site for other amazing vintage-style bags! 

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I tucked my hair and pulled it back into a low updo so the earrings would have a bigger focus on my face, framing it more. These Zaful tassel earrings have been a part of my accessories since this summer and I still wear them all the time. The black Nine West Henra pumps are great for any look either dressing up or dressing down, it can polish up any outfit. And yet, they're comfortable to walk around in. (Dies a little inside with so much joy.) What do you guys think of the paired ASOS white fishnet socks? I even tried them with a pair of Puma and jeans this past weekend and I think they definitely put a twist on the traditional black fishnet, for sure. 

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LOVE & XX'S, 

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NYFW AW 18 Full Recap

SEVEN ALL AROUND

Where can a city girl find a chic-but-wearable shoe? Look no further - Seven All Around embodies comfort but with an elegant style. Often times there is a lack thereof, whether it's too clunky or not aesthetically-sound, it fails to hit a complete mark. Heesung Choi, the founder of the footwear brand debuted ahead of New York Fashion Week. Her resumΓ© is impressive: After graduating from the Parsons School of Design, Choi spent the first eight years of her career at Rag & Bone (as one of the founding employees), where she worked on both women’s ready-to-wear and footwear collections (including the brand’s early collaboration with Manolo Blahnik). Most recently, she was head of design for Public School. The South Korean-born designer wanted to create shoes for herself that would accommodate long hours of fittings and dinner with friends in New York, working remotely with her mother in Seoul to develop the shoes. From ankle boots to platform oxfords, and even flatform sandals, they are all extremely wearing while simultaneously very presentable. The built-in cork padding and sneakerlike cushioning are definite design details and measurements that will in all likelihood be a major success. 

GRETA CONSTANTINE

Set in a three-story apartment, each Greta Constantine model wore thigh-high boots in a variety of reversible, colored sequins paired with skirts, dresses, and trousers that channeled the ultimate Eighties glam. Reversible sequins were the majority of the collection, like a green and blue trouser with a matching, oversized loose blazer. To add a dramatic flair, brocade blazers and sheer blouses had defined, exaggerated shoulders, and large sashes were tied around waists. The collection was bold, but held a nice reminder that fashion can still definitely be fun.

COLOVOS

Colovos is known to be minimal with an arty streak. The show-opening loose-fit trench set an easeful silhouette, one which emphasized to their tailoring: Jacket volumes were lightly gathered in back. Dresses layered over pants, a look that can tend to look over-styled, but here rather a nonchalant can-do quality. Webbed nylon shoulder straps on dresses were definitely stressing on the trend of utility. The Colovoses are jean experts from the early days. They showed their denim head to toe today, and the jeans had a baggy-but-tapered fit that looked current and trendy. Makeup done by Mac Cosmetics: lead by Romy Soleimani. Hair done by Pureology: lead by Ruth Roche. Nails done by Zoya: lead by Alicia Torello and jewelry by Laura Lombardi.

BCBGMAXAZRIA

A fusion between modernism and romanticism, BCBGMAXAZRIA was one of my favorite backstage experiences of NYFW along with the presentation. I really enjoyed their exploration of the contrast of feminity, masculine, hard and soft, playful and strict. But what made it all flow together so beautiful is this effortless manner while doing so. It's what BCBGMAXAZRIA is known for and they did not disappoint when it came to the AW18 collection. A job well done to the creative director, Bernd Kroeber and to the five female artists, including fashion illustrator Blair Breitenstein, that created artwork that was incorporated into the venue. Makeup by Huxley: lead by Jodie Roland. Hair by Cutler Salon/Redken: lead by Emily Heser. Nails by Zoya: lead by Naomi Gonzales.

CONCEPT KOREA

This season, Concept Korea presented two womenswear labels: Lie by Chung Chung Lee, and Greedilous by Younhee Park. Park presented her collection first, which included a collaboration with BeyoncΓ© stylist Ty Young. Park was influenced by beauty in women, particularly on extreme glamour, the Palace of Versailles and the romance of Marie Antoinette’s style. Lee took a more political bent, titling his collection β€œGLOBAL WARMING; It’s not justICE.” The play on words is meant to bring awareness to global warmingβ€”more specifically icebergs. He tells us that fractured icebergs were the point of inspiration for many of the collection’s prints, patterns, and details in addition to colors of the Arctic Northern Lights and blue skies. β€œThey serve as a reminder that this beautiful environment could ultimately disappear,” Lee says. Overall, the exposure of Korean Fashion in the American market is booming. Watch out, guys. You'll be seeing a lot more in the next few years.

NINE WEST 40TH YEAR ANNIVERSARY PARTY

The perfect way to kick off New York Fashion Week? Attend a fabulous party! I was fortunate enough to be invited to Nine West's 40th Year Anniversary party in downtown Manhattan at the VNYL. At the party, Nine West also launched its vintage-inspired capsule collection. Featuring 11 styles, the limited-edition line includes signature silhouettes and trends from the past four decades, including platform heels with a nod to the ’70s, architectural pumps that defined the ’80s and wedges that epitomized the ’90s. I remember my first pair of Nine West shoes from junior high, and they were the black platform heels everyone was wearing :) Good Times.

YUNA YANG

Models sashayed through the halls of the Margo Feiden Gallery in Greenwich Village presenting Yuna Yang’s bespoke womenswear collection. β€œLove Yourself”, the title of her collection, was embellished across the front of hats, on the backs of jackets and down the sides of sleeves. According to press notes, she β€œwanted to send a message about the importance of loving yourself. Every woman, regardless of race and status, should be treated fairly and equally”. A resonating message that coincides with the current changing landscape, not just in fashion, but throughout every industry. Inspired by colors, textures, and narratives in fine art, the original work by Al Hirschfeld was a splendid backdrop to the pieces incorporating east and west influences. Represented by a diverse range of models, her collection combined high and low elements visible in her designs and fabric choice. Leather ruffled skirts were paired with lace varsity jackets while silk organza dresses floated over jeans. Sporty, luxurious and an all-around feeling of empowerment.

TIBI

Even though I didn't get to see the Tibi show, I did go backstage with Aveda to learn more about the look for the show. Ultimate cool girl vibes, the collection was inspired by cities, construction, and architecture.  Striking a perfectly brilliant balance between fashion and utility, the looks did not disappoint as the ultimate wardrobe for the NYC woman constantly on the go. I adored the unpolished look of the hairstyles, it kept the looks versatile yet clean. Hair by Aveda: lead by Frank Rizzieri. Makeup by Stila Cosmetics. Nails by Jin Soon.  

TANYA TAYLOR

Known for her signature hand-painted floral prints, Tanya Taylor's AW 18 had less of that but with that came a greater emphasis on silhouettes, like curvy drapes and asymmetrical slouches. Tanya Taylor’s watercolor fall florals and plaid patterns came together in perfect harmony. More surprising were the pieces that nixed print altogether, like the zeitgeist-y turtleneck dress with rows of hand-stitched chrome sequins. The paillettes got bigger and flashier on a completely backless high-low tank styled over houndstooth trousers. Fans of ’90s and early-aughts style will say it’s evident of the β€œgoing out top” revival, but the pants (brown houndstooth with hints of neon pink) were worth a second look too. And the pops of color with yellow, pink and orange sealed with collection with perfection.

BEVZA

Only the second season Bevza has shown in NYFW, it was my first. Ukrainian-origins of the designer was apparent in the collection. Diaphanous silk dresses with ruching at the bust; they came in sweet candy colors like sugar pink, pale blue, and a rich green, a number that was inspired by Eastern European folklore and fairytales, it just sometimes works. As if it was a mixture of upper-class royalty and peasantry, the most spectacular outputs were the most abstract ones: a snow-white dress with linen reliefs and a deep neckline on Alla Kostromicheva, and outfits with complex assignments that repeat the shape of hosiery belts in that gentle pastel range. Specifically, the designer sent out a series of puffy nylon coats printed with animal skins and pieced together in strips to create the illusion of fur. Truly spectacular and with the times! I enjoyed this show immensely, and am hoping to see more of this kind of fluidity in Bevza's later work. 

ZERO + MARIA CORNEJO

Fall is a terrific collection for Cornejo, full of bright shades such as turquoise and a reddish orange and novel-for-her fabrics such as a wide-wale cord that she cut into a skirt suit (not as traditional as it sounds) and a slinkier evening corduroy that turned up on a jumpsuit and an asymmetrically draped dress (one of my favs). The centerpiece is a tartan that she took the stuffing out of, draping and smocking it to create the easeful shapes she’s known for. This season was all about sustainability, as Cornejo reports that 84 percent of the collection is made locally in New York, which substantially reduces her clothing’s carbon footprint.  

LOVE & XX'S, 

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