Happy Tuesday, guys! My roundup of all my London Fashion Week outfits are now live! Come take a look where I am still mixing a ton of prints along with staple British pieces such as the classic trench, more punk vibes on Day 3’s look, a vibrant look reminiscent of tomato juice and even a crisp, all white look! A lot of outfit focus for London were accessories, such as western boots, hats, sunglasses and cute, unique handbags such as a bold yellow piece along with a croc lantern bag. Come take a look along with STL (shop the look) with direct links to everything. Unfortunately many items on me have sold out! If you’re looking for something in particular, drop me a message in the comment section down below (at the end of this post) to find similar items, more than happy to link ‘em for you upon request. Wishing you a great rest of the week! I’ll be having my monthly beauty roundup soon along with more up and coming spring trends/looks! xx
Thanks for being so patient, everyone! My full recap of London Fashion Week AW19 is now live! I have my NYFW recap up from the Fall/Winter 2019 season as well (Link HERE) Again apologies for the delay! Better late than never, I rounded up 6-7 of my favorite looks per show that I had the pleasure of attending, with a full-text review of each collection along with a couple of highlights I found worth mentioning as well. So sit back and relax, enjoy the show! :)
After graduating from Central Saint Martins in 2012 and having won numerous awards such as ‘Elle New Talent’ Taiwan, Jamie Wei Huang’s AW19 collection ‘Roaming Boy’, was showcased within a once traditional church, now The Garden Museum. The show invitation demonstrated a school exam theme, asking all guests to bring their pencil to the show ‘exam’ and the press release amusingly mimicking a short multiple choice test sheet. The collection epitomized private school rebellion. Hues of royal blue, red and white paired with a selection of tartan. The innocent school-kid was edged with extreme undiluted hemlines, oversized bum bags (worn in the cool way across the shoulder of-course) and extreme padded jackets in non-conventional pop colors. A diamond-check weave made the occasional appearance, paired with bold hand embroidery and layered, oversized sweaters. Unruly piercings accentuated every other ensemble and the occasional low neckline added just that ounce of sexiness.
A presentation of modern femininity that was both luxurious and sophisticated. Gayeon Lee for AW19 showcased ten looks at a time, that were pastel delights in chic dressing and sleek silhouettes. The presentation was hidden in the Crypt at St Martin-in-the-fields church, in Trafalgar Square, an unusual space for a LFW location, with cozy jazz music playing in the distant background. Gayeon Lee is from South Korea and has a MA in Fashion Womenswear from Central Saint Martins. Her graduate MA collection was incredible and sparked interest from the likes of Lady Gaga. After working for Marc Jacobs in both London and New York, Gayeon Lee launched her own label in 2014. Winner of the Vogue talent awards in 2016, Gayeon Lee was also chosen to work with Swarovski for AW18 and SS18. Her collections are known to draw inspiration from fine art and Gayeon Lee’s work is known to be conceptually driven. Her signature bended metal strap bags have definitely caught my eye for the past couple of seasons, the AW19 bags were structured into prism shapes of earthy tones.
Bora Aksu’s AW19 was inspired by Valentina Tereshkova, the first woman to go into space. A feminine, light and holographic collection, the show began with symbolizing her humble beginnings with simplicity. Ivory, grey two-pieces are paired with chiffon oversized bows, and muted down check suits. Then puffy coats to a pink ruffled chiffon dress with red hems screamed new age romanticism and expanded the mystical color palette with lilacs, pinks, green and light blues. Space helmets were swapped for hand-embroidered and hand-knitted headpieces designed in collaboration with Liria Pristine, other further accessories were some funky avant-garde oval sunglasses and pearl jewelry adding a touch of class. The staple Bora Aksu silver boot added an elegant touch to the futuristic astronaut-aesthetic. Very cool indeed, when are we going to Mars and which gown should I be wearing when we do? :)
“Swathes of wool and padded fabric encase her, goddess warrior, made from a palette of turning leaves and earth – of brown and putty and cornflower and crimson. Resilience and adaptability manifests in her elongated silhouette, roomy tailored suits, curtain-tie sashes and winged dresses. Tailoring and draping brings softness and structure to signature asymmetric silhouettes. I think of the columns of the Temple of Parthenon. Layering prevails in oversize multi-way jackets with tiered lapels that fasten this way and that, allowing glimpses of tonal variations and in this our complexities are revealed – there is ‘no one typical woman’. Slit-sleeve blazer and a four-tiered teal trench peel back, exploring out many identities – creator, mother, warrior, lover. If she is a whole, it’s a whole composed of parts that are wholes, not simple partial objects but a moving, limitlessly changing ensemble, a cosmos tirelessly traversed by Eros, an immense astral space not organized around any one sun that’s any more of a star than the others.“ All-in-all, Marta Jakubowski strongly stating women should never be stereotyped.
Cassey Gan’s Autumn/Winter 2019 collection is titled “Pixelated”. As colorful vivid brushstrokes take the form of a pattern heavy collection, it’s a print-lover’s dream! The Malaysian designer demonstrated printing techniques are mature enough to achieve that, beside thick fabric, the designer also used lightweight fabric and reflective fabric in their collection. Orange, blue, lemon, and red, the color choice is vibrant and the original designed prints are mostly in a repeated pattern formula. These are styled with traditional check or Houndstooth patterned garments on top or underneath. Traditional pattern and original print designs crossover and fuse together in the collection. Gorgeous textiles, striking statement earrings as accessories, and using non-form fitting garments revealed new layers of their evolving work.
Located in the remarkable architecture of St Georges Bloomsbury Church, the space was transformed into an autumnal wonderland. Lines of seats created four catwalks, each smothered in a sea of fallen leaves, the nostalgic smell of the season lingered in the air. Live performance by musical talent James Broughton played in the background as the models walked under the crisp foliage. Bach has created pieces inspired by the aesthetic of Autumn, with a warm palette - the overall tone for the collection. A base of black is lifted by plummy red, bold ochre and rich green bring a beautiful visual tempo to the collection, as well as metallic accents flirting with the rays of natural light. The juxtaposition of fabrics and patterns allows for a play on masculine versus feminine, for example combining the more rough corduroy and check fabrics with softs rippling floral accents reminiscent of magnolia. Perfectly accessorized with sunnies and focal shoe point were boots/mules for the colder season. Definitely a favorite from London Fashion Week!
Natasha Zinko presented their new AW 2019 collection at Next, Plaza Oxford Street for London Fashion Week. Models entered down the escalator in cool cuts with many pockets (this is definitely Natasha’s personal style) along with kangaroo hats, long-length leather gloves and over-the-top OTK boots, which were all personal faves for me. Denim and print played a huge role within the collection, as well as color with a very upbeat youthful allure to her pieces. I adore her take on street style and this collection definitely sets a certain tone to this genre in fashion. Definitely could see myself wearing any number of these pieces! Such a cool, inspiring collection to see.
Characterized by mixed shapes and dark nuances, UNDERAGE’s collection for autumn/winter 2019 reflects the juxtaposition of strange and familiar traits in a similar manner to The Rocky Horror Picture Show. The movie, which is the main inspiration of the brand’s mastermind Ying Shen, continues to have as big an impact on the young people of today as it had on the audiences of the 70s – though it leaves an impression of a different kind. The Beijing-born designer explores cutting-edge and advanced forms against more conventional layouts, focusing especially on the creative take of generation Z. The outfits bring together simple t-shirts with puffer jackets, smooth jersey trousers and combed knitwear. Velvet is paired with metallic details. There is a hint of crochet, but there are also leather laces tied up the calf. One of the jackets sports a sticker patch with the brand’s name, while an uneven maculated skirt is matched with a fading burgundy pullover. Red, as the set for the presentation also emphasizes, is the predominant color, featured in different shades. Glasses – in the shape of eyelashes, drawn-on grey plexiglass or cut out in electric blue – are common accessories.
The new AADNEVIK collection is inspired by Leo Tolstoy’s “ Anna Karenina”. I saw several silk chiffon gowns with hand beaded french lace and leather craftsmanship. Even ostrich feathers. This brand is known for its uber-sexy, revealing clothes and have dressed A-list celebrities such as Kate Beckinsale, Halle Berry, Olivia Culpo and others. Models strutted down the runway with sounds of a running train in the background brought an eerily romantic tone to the show. I was most impressed with the hair done by Morrocan Oil along with the tailoring of some of the gowns. Definitely red carpet looks, I also really adored the animal print matching set which included a beaded jacket with shorts. Not your typical fall getup, but nothing in AADNEVIK is typical.
Reflecting on the looming threat of Brexit as an Irish immigrant, for AW19 Richard Malone looked to simpler times – to the birthday parties of his youth. He sent out a party wardrobe rich in color and texture that elevated the everyday to a fashion context: he repurposed dog beds into elegant fur stoles, and fashioned frock coats from twill fabrics typically used in school uniforms. Form-fitting silk dresses intricately gathered to contour the body and ladylike suiting in fitting hues of blue, red and white were juxtaposed with punkish laddered knits and hand-painted mohair coats, adding a hint of rebellion. Highlights included the fuzzy wuzzy socks to go with the matching coats, as well as oxblood being a steady color within the collection’s palette.
Costelloe displayed his mastery of tailoring in what was one of his more confident collections in recent years; the military inspired coats in pure Italian wool definitely drew attention. Pulling inspiration from Rule Britannia, it was quite literally a combination of war and peace to some extent. The mixture of military coats with beautiful gowns was something a bit different for Costelloe, but the tailoring spoke for itself. Going back to his roots was not a mistake, and I hope to see more of this in his future collections. Highlights were the buttery leather greenery in one pair of leggings, along with a diverse casting, even though he had something specific within his theme.
One of the designers I have yet to see during London Fashion Week, Wesley Harriott’s name will definitely be more familiar in the coming years. Using only monochrome hues of black and white, Harriott makes a statement by reflecting how people often define one another according to their exterior before really paying attention to their complex characteristics which are not always evident at first. He focuses on drape and construction by redefining traditional tailoring techniques to add a sense of uniform to reflect the militant aura during Empress Dowager Cixi’s reign. Inspired by The Last Empress of China, Wesley Harriott fell in love with the strong divide on opinion on her that was only ever ‘black or white’. Despite the way people perceived her, she continued pioneering whilst unapologetically being herself. This is stressed within each ensemble as even more obscure detail and trimmings are revealed the longer they’re examined.
One of my favorite shows of LFW, Edeline Lee likes to think outside the box. This season she invited a host of accomplished women across the worlds of art, science, and technology onto the stage. “In this industry we are always talking about women, but rarely do we give them the opportunity to speak,” said Lee of her presentation. “I wanted to give them a voice.” It was over an hour of orations from 35+ women of all backgrounds using their strengths on top of curating a stand-out fashion presentation. Not the most ideal - since many editors (like myself) don’t have the time to stay and see the entire collection. However, her quiet yet increasingly elevated pieces speak for themselves, in that they are very likely to be worn in our everyday ready-to-wear looks. Can’t wait to see what Edeline turns up next for SS20!
Designer Seung-Gun Park toyed with the idea of “celebrating all things unflattering” for AW19, dreaming up a series of unusual headpieces made from plates, combs, forks and even lighters. But beneath these showstoppers, Park’s feminine tailored pieces with strong historical references were nothing short of flattering: Elizabethan collars and 14th-century pourpoint jackets were updated with sporty sweatshirt fabrics, while corset tops and puffed sleeves added a regal spirit. A mix-mash of textures and patterns – checkers, polka dots and frills – resulted in a confident and outspoken collection that reaffirmed the label’s signature punk attitude. One to watch out for, Pushbutton is definitely one of my favorite new Korean designers on the fore front.
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Happy weekend, everyone! I’m starting the day off with my NYFW AW19 runway shows recap! Today I’ll be discussing each show’s theme and trends where I had the pleasure of attending this season. This was my sixth season going to New York Fashion Week - only three years which is nothing… BUT I am definitely humbled from this season's experiences and opportunities as this has been the most successful fashion week by far, for me! I have a long way to go, but am extremely thankful for everything as every passing season teaches me something, and I learn and grow in the fashion industry, amidst while making new friends/connections and expanding my network. All in all, I’ve worked very hard to get to where I’m at, and it is such a pleasure to reflect and see how far I’ve come. I’m still just a Midwestern girl at heart! (Okay, okay… with maybe a little New York attitude now HA HA, kidding!)
I always love kicking off NYFW with Laurence & Chico. The duo’s collections are always over-the-top with outrageous styling and a touch of humor. Not to mention the wonderfully crafted pieces, this season’s theme was all on the culture and beauty of Thailand! The result — traditional Thai silhouettes reinterpreted with bold, rich colors, intricate beading and embroidery. Exaggerated volume, beautiful textural embellishments and richly colored, seasonal fabrics and prints were woven into the collection. Once you take a deeper look into the individual pieces and styles, you’ll discover the brand’s overall theme: Whimsical, fun, and that it knows how to take itself not so seriously in a very serious world.
Kate Spade New York delivered a refreshing lineup that veered away from its signature aesthetic. Electric colors of yellow, emerald and burgundy’s, with plenty of animal prints and a hint of the 70’s made up most of the new look. I loved the grown-up approach from its signature girly brand with sleek coats, pantsuits, shirt dresses and wrap dresses. The smattering of motifs that peppered the lineup, from coats and billowy dresses to accessories including cheetah prints on croc-embossed bags and turbans were the icing on the cake. I truly adored the double-bag situation along with the little hint of sparkle, from the tights to the nail art, that paid a subtle homage to the late Kate Spade. A definite lasting touch and quite sentimental. A truly stellar collection!
The Son Jung Wan Fall-Winter 2019 collection was inspired by the “romantic mood of retro art and culture.” Son’s collection featured mixed faux fur, bold prints, sequins, velvet, ruffles, and embroideries in the bold colors to create a romantic mood full of playfulness. The color palette boasted a combination of bold, dark, and pastel hues. Bold, vibrant colors included orange pepper, placid blue, sulphur, and spring crocus; light pastel colors included harbor gray and potpourri; the addition of dark colors such as adobe, windsor Wine, and peacock created a uniqueness to the visual feast that was the collection. Great examples of this retro glam look were the sequin dresses and striking outerwear towards the finale of the show.
Concept Korea, an initiative that celebrates young local designers on an international level, through support from the Korean government. Chungchung Lee, a Central Saint Martins graduate and the founder of LIE, showed tailored prêt-à-porter, while brothers Kevin and Terrence Kim (the duo behind IISE) reinterpreted Korean heritage through contemporary streetwear, with Instagram-famous Luka Sabbat opening the show! First set of photos are LIE, the latter, IISE. As a Korean, I’m proud to share such talent through my platform. Probably one of my highlights every season in New York Fashion Week.
A juxtaposition of eccentric prints and materials Claudia Li’s AW19 collection embodies everything the designer loves most. From its flamboyant patterns to its bold and playful color palette, Li’s artistic background is prominent in her latest collection. The collection carries a strong sense of singularity, each design feels unique despite the collections recurring fabrics, shapes, and colors. It is the artistic eye combined with a keen knowledge in street style that makes Li a master of craftsmanship and design. I loved the androgynous overall tone playing with Li’s new idea of femininity as well as with the perfect masculine combination. Strong accessories played an important role within the collection such as vibrant weaved tassel bags, Mongolian sheep sterling pillow-style bags, and black leather purses.
One of my favorite shows to attend every season, if you are not familiar with Tibi, I would describe the brand as minimalism for the maximalists. Tibi presented us a beautiful color range of deep browns, chalky grays and charcoal blacks combined with lavenders, mints and orangy tones. In true Tibi fashion, the show gave us clean and classic silhouettes with a twist. Tibi revamped powersuits, croc boots, skirts and double-breasted coats, in addition to the revival of the dickie, monochromatic pastels and slides. Top favorite was the ovelapped knitwear on top of some of these looks. Another nice touch was some of the leftover materials from the desingner’s studio were accessorized within the hairstyles, which I talk more about the beauty trends of NYFW here.
If I had to use one word to describe Phillip Lim’s latest collection, it would be “workdrobe”. Opening the show was a classic cosmopolitan chic look of a full-skirted dress with a trench coat on top: sleek, elegant and timeless. The palette of slate greys, navy, black and optic white with the occasional earth tone and dark seafoam was a collection made for the working city girl. Chic and streamlined, the collection was reminiscent of the old Celine collections. The attention to practicality without compromising on style can be seen through the playfulness of the structures and silhouettes; layering belt-cinched jackets and cocoon coats over voluminous skirts and wide-leg trousers, creating the ultimate variety of volume and proportions. Other highlights from the outfits were oversized carryalls tucked under one arm, cinched booties, double strap heels and one pair of rather amazing furry flats.
Sally LaPointe’s Fall 2019 drew style references from Elvis' 1968 Comeback Special and applied them to modern day dressing. Strong monochromatic palettes of bronze, ivory, jade, lavender and oxblood, the collection’s attention to utilitarian yet feminine details with nods to clean menswear-inspired tailoring and strong silhouettes became a purposeful uniform for the modern woman that exudes confidence, attitude, and sex appeal. Snakeskin and leathers were found throughout and in a wide array of styles and treatments, including as a print on silk jacquard and embossed leather. Highlights: Leather jumpsuit, and stripe-stitched lavender sequin textural dreams,
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THIS POST IS BROUGHT TO YOU BY GEEGEEBAE BUT ALL OPINIONS ARE MY OWN.
Happy Thursday, everyone! I’ve been back from London a couple of days ago, and it’s been nonstop work straight off the plane again, with a little sickness (respiratory infection of sorts w/ a ‘fun’ raspy voice) and complete exhaustion. But still trudging through and getting it done because that’s the way it is around here! Today’s post is dedicated to the teasing springlike weather, and as many of you I’m sure, just like myself, are itching to take those heavy winter coats off! But with transitional weather right now, it’s still not quite time for that, so our wardrobe needs something in between. How about a gorgeous striped maxi sweater dress? Continue reading to learn more about how I styled this particular piece, where to shop and more of what’s to come on M + S!
Who says you can’t wear your stars and stripes before the Fourth of July? And it doesn’t have to be in red, white and blue either. I love mixing prints, in which case, this is more about mixing materials and textures, but still falls in the category lines of it. I’ve been growing my bangs out since I grew tired of the maintenance it took with them. So with the latest hair trend, everything clips, barrettes, etc; I took the liberty in styling my hair with a single hair piece, amongst them the stars. I wore the stars hair clip the opposite way to have the dangling star on my upper face, to give it a ‘Rainbow Brite’ kind of vibe with the candy-colored striped maxi sweater dress.
The striped maxi sweater dress features an off-the-shoulder long bishop sleeves with ribbed cuffs, ribbed fold-over neckline, and double patch pockets. It’s the perfect dress for pre-spring. On warmer days you can wear it by itself (with perhaps some thermo wear underneath) and on those chillier days, top it with a trench or warmer oversized coat and you’ll look stylish both ways! I think it would pair nice with a powder blue or a khaki color, what kind of coat would you wear with this dress?
To elongate my height with the long maxi dress, I opted for black sock boots with a high heel. Other accessories with this look is the green triangle clutch and pink lippie. I’m not much of a pink girl, but it’s the most frequent color I’ve been wearing on my lips the past six months! I’ve been using Lime Crime’s lip liners and they’re absolutely the best I’ve ever tried in the business. They’re even smudge-proof, which is always a plus for someone like me who’s running around town and doesn’t like to touch up my makeup that much during the day. Because with good makeup, you won’t need to do much touch-ups!
I hope you guys enjoyed this outfit today! Still to come on the blog later this week, my recap of NYFW shows, LFW shows and LFW outfits. Not the mention my February beauty favorites which there are a ton this month (alas, the life behind a beauty product junkie ha ha!) We are also stirring the pot for more interesting content for this year, but these will take a lot of time so please be patient! I will announce more news as it comes sooner into the limelight. If you’re an avid reader of M + S, we’d love to hear from you! What would you like to see more of this year? Anything we’re not covering that you think we should? Drop those suggestions/comments down in the section below! See you guys soon. :)
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Hi, everyone! I’ve been meaning to get this up on the blog, but amidst travels and also my laptop having a nervous breakdown, it’s been rather trying to get this up and live. But it is finally here: my recap of all the beauty trends I noticed during New York Fashion Week for Fall/Winter. Some have been around since the dawn of time, as most trends in fashion are refurbished, reused and recycled. But there are several trends I truly loved and will definitely be partaking in the upcoming season. So without further ado, let’s jump on it and start with the makeup trends spotting around from NYFW.
PINKY PINKS & BURGUNDY WINES
If you noticed one thing about my makeup abilities as of late, I am all for color. The more vibrant the better. Which is what many makeup artists played around with backstage this season. For example, the makeup direction to Kate Spade with Romy Soleimani and Maybelline was filled with vibrant, friendly pink shades ranging from blushing pink to burgundies. Sally LaPointe’s show also displayed heavy wine colors, interestingly applying an iridescent pink liquid highlighter - the Hyper Real FX to the cheek bones which gave such a beautiful subtle quality to the look.
You know what’s a trickery in eye makeup? Mastering the art of a smokey eye without looking like raccoon eyes! What makes this difficult is the subtlety of the smudge, but not too much where it becomes overkill. Tom Ford always does this technique so well (need to try the Tom Ford beauty line) but my favorite was the intense smokey eye in Jeremy Scott’s Show. Maybelline did the full eyelid smokey, but also carried it down to the inner corners of the eye to give it a more dramatic effect. Rest assured, smokey eyes aren’t going anywhere anytime soon.
Another favorite, MUA Cassandra Garcia played with a subtle green smudge for Tibi. Using Bobbi Brown Cosmetics, the look was inspired by the perfectly imperfect look of slept-in makeup and the watercolor green is something cool and different. It looks slightly messy, but in a chic unpolished way. Other shows that really played on watercolors more intently were Eckhaus Latta and Collina Strada where the models’ eyes were a wonderful canvas to blend on. Literally reminded me of Monet’s brush strokes and definitely got my heart palpating.
SHARPLY SKILLED EYELINER WORK
3.1 Phillip Lim’s lead makeup artist for the show, Diane Kendal was all about precision when it came to eye makeup backstage this season. Using only three colors of white, khaki and purple and with the help from a new makeup brand, Unframe the Beauty, their eyeliners are an innovation 1200 years in the making. The brush is created by traditional craftsmen from the Kumano and Nara region of Japan, with custom-made fibers that are entirely hand-blended for firmness, flexibility, and softness. Only seven people in ALL of the world can skillfully do this delicate and precise work.
Makeup artist Tom Percheux described the beauty as “eyes that wouldn’t lie to you” for the Brandon Maxwell show was very reminiscent of Twiggy’s signature look. And it’s as simple as it can get, but will bring the eyes to life with an added illusion to bigger and brighter eyes. Something I can totally get on board with - the key is to do both the top and bottom eyelashes. I have to say out of all my favorite makeup trends, this will be probably the first one I will want to re-interpret.
BEJEWEL ME, BABY
If you’ve been paying any attention in the hair accessory scene, you know barrettes, bobby pins, clips of any kind are all making a huge comeback. But there’s been a transitioning period here at NYFW where the accessories are more about letting women SHINE. Justine Marajan did the hair backstage for Christian Siriano where we saw chains mixed in with braids, giving it a cool and edgy vibe. Area had a gang of 70s rebels take the runway with likeminded hairdos beaded in jewels, literally. I am really into anything in the rebellious family so this trend is definitely something I would like to re-create for myself!
Probably my favorite hairstyle that I saw backstage this season, it’s not a difficult hair style to achieve. Nowadays with all the top hair gadgets/tools you can get a heat iron with the shape embedded into the tool that will ease the process of getting the waves in the crimped hair. However, one way to achieve this as well is to braid the hair then flat iron the braid before brushing it out. This gives it a more froofy overall look, leaving it more modern in my opinion. I saw this technique done by Aveda, led by Gary Gill for the 3.1 Phillip Lim Show.
A SPLASH OF COLOR
Or rather a splash of paint, Jeremy Scott’s fake news theme was quite cheeky with the hairstyle to go along with the message behind his collection. The models all wore wigs which were all trimmed backstage before what looks to be a bucket of paint spilled all over the tops of the models’ heads. It obviously was painted on, however. Philipp Plein also used neon green streaks in the models’ hair, giving it that pop of color.
The 30s are back and I couldn’t be happier! Finger waving is the shaping or molding of hair while wet into "s"-shaped curved undulations with the fingers and comb. These waves, when dried without being disturbed, will fall into deep waves. Finger waving differs from marcel waving in that there are no heated irons used on the hair. Prime example was Sally LaPointe’s show, giving the models’ a suitable look to go with the Elvis theme. Zimmerman and Maryam Nassir Zadeh also demonstrated this look but in a more relaxed way either with softer waves with a shorter cut or ruched ponytails. Overall, another favorite hairstyle I need to try and do soon!
NAIL ART TRENDS
At Kate Spade New York, manicurist Julie Kandalec (for Essie) paid homage to Kate, “she leaves a little bit of sparkle everywhere she goes.” by subtly applying bronze glitter to a nail prepped with a base coat for a naturally shimmery look. Tibi also took an understatedly sparkly route: Jin Soon Choi painted the top half of the nail in a rich toffee beige shade and filled in the bottom half with a mélange of holographic silver flecks. To tone down the shine, Choi finished it with a matte top coat. Which is what is next in terms of trends.
I noticed several other nail looks aside from Jin Soon Choi’s such as Maryam Nassir Zadeh powdery blue matte nails, which were also a favorite. Phillip Lim also worked with Jin Soon Choi to create a peachy nude matte finish as well, bringing a modern woman essential vibe. I love the non-streaky look to a matte nail, as it looks more polished and sophisticated. You can bet you’ll be seeing a lot more of this trend come this fall season.
OVER THE TOP EXTRANESS
Jeremy Scott worked with Ms. Pop to do a monochrome monogramming in an effort to keep up with the graffiti-inspired textiles. She lent her expert brushstroke to write out "New York" in black-and-white lettering, creating a newsprint effect over seven fingers. Definitely made headlines. ;) Other statement nail looks included Alice + Olivia where they literally hand-painted 3-D acrylic butterflies on sets of burgundy nails. And last but not least, Adeam went with gluing pearls of all different sizes on blue and pinks nails, which were definitely delivering something extra to the table.